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10 Commandments, church history, theology

Church History Snippet – Constantine V

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Constantine V was born in the fall of 718 and died in 775. He  assumed formal responsibilities of governing the Byzantine empire as a co-regent of sorts in the 730s. He became the sole ruler of Byzantium in 740 when his father died. Much of Constantine V’s reign is remembered for his involvement in the iconoclastic controversy begun by his father Leo III in 726. The early years of his reign were preoccupied with weathering his brother-in-law Artavasdus’ attempts to dethrone him. However, in 752 that he did pick up where his father left off.  and did so from a more theological and less pragmatic angle.

Constantine approached whether images of Christ are legitimate for the Christian from a Christological perspective. It is ironic in that John of Damascus uses the same doctrine to justify icons and images. However, though they share the same doctrine, their conclusions are far apart. Whereas John argues that because Christ is truly man His human nature may be drawn or sculpted, Constantine argues the opposite. In light of the union of Christ’s human and divine natures in the one person Constantine argues that “the depiction of the prosopon (or hypostasis) which came into existence as the result of the union of the two natures cannot be accomplished, since of necessity this would involve the circumscription of the immaterial, divine nature.”[1] In other words, because of the union between Christ’s human and divine natures you cannot represent one without the other.

Constantine is reaching back to the fourth ecumenical Council of Chalcedon of 451 which declared the human and divine natures of Christ to exist without confusion or separation. At this point Constantine builds on his father’s initial second commandment argument by showing its relation to the orthodox articulation of the definition of Christ at Chalcedon. And with the iconoclast position in the ascendency, Constantine looks to formalize and bolster it with the approval of the church, which he does by calling the Council of Hiereia in 754.

[1] Stephen Gero, Byzantine Iconoclasm During the Reign of Constantine V (Louvain: Secretariat du Corpus SCO, 1977), 41.

10 Commandments, church history, theology, worship

Church History Snippet – St. John of Damascus

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This post is not meant to be a complete summary of all that St. John of Damascus wrote and did. It is simply looking at his contribution to the 8th century controversy surrounding iconoclasm, or the destruction of images of God in any persons of the Trinity. Last Church History Snippet looked at Leo III who initiated the formal controversy around these kinds of images in Byzantium, though previous informal disagreements and discussions on this subject certainly existed.

John of Damascus was born in 675 and did not reside in the Byzantine empire. Instead he was a subject of a Muslim Caliph in Damascus. He became a monk in 706 and moved to Jerusalem. In response to Leo’s policy of iconoclasm,  John writes three treatises on divine images. The first one is published in 726, almost immediately after the developments in Constantinople become known. The second, written around 730, and the third written before 750, copy extensively from his first treatise. In his three works, John argues for the proper use of images from eight basic groupings. Their critique is included:

    1. Because Christ took on human flesh, He may be depicted. Objection: Borrowing from the argument David VanDrunen makes in his article “Pictures of Jesus and the Sovereignty of Divine Revelation“,  it is certainly within God’s right to depict himself according to His own perfect wisdom. However, God revealing Himself, and man making a representation of His from his own imagination are two very different things.
    2. The word “veneration” has multiple applications, and can be given to a variety of objects. Objection: Is it possible John of Damascus is the first person to promote nuance? That is not a serious question, but beware of those who adjust definitions and make clear meanings of words confusing to justify their practice.
    3. Veneration given to an image is actually offered to the person or object it represents. Objection: Even if this statement is true, the Bible commands God’s people not to worship Him in the ways of the pagans who worship their gods through images (Cf. Deuteronomy 12:4).
    4. Objecting to icons and images is to adopt the error of the Manichees. Objection: Although it is a clever strategy to associate your theological opponents with heretical views, John of Damascus does not accurately represent the view of the iconoclasts who did not hold that the material is bad but the spiritual is good.
    5. The church has used images in the past, and this tradition justifies their continued use. Objection: Leo III appealed to the second commandment for his iconoclastic policy. The Word of God is the standard of right theology and practice and cannot be overridden by appeals to previous practice. This statement does not even acknowledge that church tradition could be incorrect. Using this logic, there could never have been a Protestant Reformation.
    6. It is inevitable to form a picture of Christ in your mind so you can make images. Objection: Just because it is difficult to resist sin, or even if sin is inevitable, that does not justify continuing to walk in it.
    7. Old Testament Israel was prone to idolatry through graven images, but that is not the cases in the New Testament Church. Objection: I hardly think this needs comment. Man is just as prone to make idols today as he was 3,000 years ago. It is simply wishfully naive to suggest otherwise.
    8. Since God commanded representations of the world to be made in the construction of the Tabernacle, therefore representations of the Son while He is in that same world are acceptable too. Objection: That is true in so far as the question is about making representations of objects that are not the human nature of the 2nd person of the Trinity. However, as soon as you introduce the divine person, the question is different, because God was not represented in the artwork of the tabernacle.

The objections which are included notwithstanding, John of Damascus continues to be a force in the discussion of the proriety of images of Jesus. His arguments, or parts of them, have more or less been adopted by proponents of images of Jesus from the time he made them even until today.

church, church history, theology

Church History Snippet – Leo III

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In church history there are two significant Leo IIIs. One was the pope who crowned Charlamagne emperor in 800 AD. The other was emperor in Constantinople from 717-741AD. It is the second Leo that is in view in this church history snippet.

The iconoclast controversies of the eighth and ninth centuries are unique in that they are not driven primarily by churchmen or theologians. These certainly participate, but they are not the catalysts that would force the Church to deal with a controversy that had been brewing for some time. It was the iconoclastic policies of emperor Leo III, also known as Leo the Issaurian, that forced a formal treatment of this subject by the church.

Leo III came to the throne during a time of upheaval in the Byzantine empire. That turmoil can even be seen in how he ascended to the throne. Leo III was not a natural heir of the throne, but a military commander who usurped the throne from another. And in the midst of that political chaos, Leo adds theological controversy by articulating and implementing a policy of iconoclasm within the Byzantine empire. Iconoclasm, for the sake of this subject, is the destruction of religious images. Leo, as the catalyst of bringing this disagreement in the church into focus, is a significant man in church history, especially when it comes to the development of the church’s understanding of whether images of Jesus are permitted.

Relatively little is preserved of Leo III’s arguments in favor of the destruction and/or removal of such images from churches. Understanding his views has to come from looking at the response of his opponents. However, it is known that he began his assault on images in 726. Though the motivations for doing so are far from clear, it was likely partly religious, but not purely so. Certainly there was a religious component to his iconoclasm, however, it seems to have been tinged with pragmatism and superstition. According to some, his religious actions were influenced by a desire for political stability in a time of turmoil and uncertainty. Wherever he found himself on the spectrum from pragmatism to principle, it is not fair to discount Leo’s religious impulses entirely. Though perhaps motivated in part by the social condition of his empire, Leo III did make a theological argument as well.

Leo III’s iconoclastic policy was pretty straightforward. He believed images of Jesus and/or the saints were idolatrous and should not be allowed in his empire. The biblical foundation for his argument was based on the second commandment:

“You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. You shall not bow down to them or serve them, for I the LORD your God am a jealous God, visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me, but showing steadfast love to thousands of those who love me and keep my commandments.” (Exodus 20:4-6).

The initial line of argumentation from those seeking to forbid images of Jesus is a fairly simple appeal to the second commandment. Leo III seems to have made a basic connection between an image of Jesus and the prohibition in Exodus 20:4. The position articulated by Leo III is the opening salvo of a controversy that would continue intermittently into the Protestant Reformation and even into today.